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’80s Divas: The Sheena Easton Edition

She took the morning train goin‘ anywhere … and went to No. 1.

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Sheena Easton’s “Private Heaven” (Photo: EMI)

Mysteries abound when it comes to ’80s music (like what did Prince really have against “to,” “for” and “you”?), and some of the biggest head-scratchers involve the largely forgotten Scottish beauty who took the “Morning Train” to global superstardom in 1981.

Why doesn’t anyone talk about Sheena Easton anymore?

Why do I never hear her songs anywhere I go unless I’m playing them on Spotify?

Why doesn’t she get more love?

It’s not like she was a one-hit wonder, or some obscure also-ran. At her peak, she was every bit as huge as Belinda Carlisle, an equally beautiful but less gifted singer. (Fun fact: She was born Sheena Shirley Orr, meaning that she shares a maiden name and a professional surname — from her first husband — with two members of the Cars, Elliot Easton and Benjamin Orr, whose band was scoring concurrent hits.)

She went to number one on Billboard’s Hot 100 (with 1981’s “Morning Train [9 to 5],” which I used to own on vinyl), making her one of the few solo UK-bred female singers to do so. Then she sang a hit James Bond theme: 1982’s “For Your Eyes Only,” which I also owned on vinyl. Two years after her 007 alliance, she held her own with Prince, on her Top 10 single “Sugar Walls,” and on his, “U Got the Look.”

The 1981 Best New Artist Grammy winner would later crossed over into acting (in a multi-episode arc as Sonny Crockett’s ill-fated wife on Miami Vice), and by mid-decade, he was one of the few artists besides Elvis Presley and the Everly Brothers (maybe the only other one) to score Top 10 hits on Billboard pop, R&B and country singles charts.

Despite her considerable success in the U.S. and the quality of her music, somehow the ongoing wave of ’80s nostalgia has never really swept up Easton, now 60, and whisked her back into mainstream consciousness. She’s not even a gay icon, despite releasing a 2000 collection of solid disco covers called Fabulous, which was her last studio album.

Too bad. Easton was a pop rarity: a fantastic singer who probably could have gotten by on her sex appeal alone. But if she coasted on anything, it was a voice…

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Jeremy Helligar
Jeremy Helligar

Written by Jeremy Helligar

Brother Son Husband Friend Loner Minimalist World Traveler. Author of “Is It True What They Say About Black Men?” and “Storms in Africa” https://rb.gy/3mthoj

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